Copy Famous Paintings – Giorgio Morandi

Natura Morta”, Giorgio Morandi Circa. 1953

Giorgio Morandi was an Italian painter and printmaker. He was born in Bologna in 1890 and lived there all his life.  When his father died the family moved a couple of doors down where Morandi died in 1964. He escaped the summer heat in Grizzana, a town in the Apennines, now renamed Grizzana-Morandi. Otherwise he hardly ever left Bologna. He taught drawing, engraving and etching, always within walking distance of home. The artist would sometimes make day trips to Venice, Milan or Florence to see an exhibition, but only near the end of his life did he venture outside Italy, once to an exhibition in Switzerland, once to Paris.

His studio, also his bedroom, was in the flat he shared with his three sisters (all, like him, unmarried) and their mother. The room is often compared to a monk’s cell: an austere place of solitary contemplation.

How was this painting done?

Morandi has used a muted color palette, subdued subject matter, and quiet simplicity. He has painted familiar objects such as ceramic bowls and vases, bottles, pitchers, jugs and boxes. They are purposely stripped of any identifying marks such as labels. This lends the objects a sense of anonymity. They are objects that could easily come from anyone’s kitchen.

The objects to have a weighty, chunky appearance, minimal amount of shading and highlights and a matte surface appearance.

The artist uses a careful balance of subdued colors and subtle tones, the objects almost appearing flat, due to their lack of tonal range. The paintings enjoy an anonymous, silent quality. ageless quality, superceding time and place.

Morandi works in a painterly style, in which the brushstrokes are visible and become an important part of the composition. He is not concerned with hiding the brushstrokes to create a smooth surface appearance. Instead, he paints in such a way that the quality and handling of the paint have as much contemplative importance as the objects.

Why should we care?

Morandi is best known today for his beautifully contemplative still-life paintings. His imagery would influence numerous artists after him, including the Minimalists, who admired his pared-back aesthetic and emphasis on order, geometry and spacing. Morandi’s fame is worldwide, with examples of his work hanging in every major collection of modern art.

Where can I find more paintings like it?

“Still Life with Orange Peel”, 1955 by Richard Diebenkorn is a painting influenced by Morandi although painted in a colourful contemporary style.

“Still Life Seven Objects” by British artist Charles Hardaker is another painting is very much influenced by Morandi. The muted tones and anonymous silent quality of the objects are much in keeping with Morandi’s style of working.

“Still Life, New Studio” William Brooker 1974 The table is a notable feature in this quiet contemplative work.  In this painting, William Brooker seems to be very infuenced by Morandi’s muted tones. The objects have an ageless yet anonymous quality superseding time and space in typical Morandi style.

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • an hour or two

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured water colour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is okay for the watercolour crayon mark to bleed into the painting
  • everything is easily painted over with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • layering colours on top of others using the scumbling technique creates magic
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.  It’s your painting after all!

Copy Famous Paintings – Edvard Munch

Edvard_Munch_-_Madonna_-_Google_Art_Project

Image accessed November, 2017

What is it?

Painting, “Madonna“, 1894 by Norwegian artist Edvard Munch

How was this painting done?

Softly undulating lines create a kind of cyclical form reminiscent of an aura around the figure. The painting was done in layers of oil paint.  The layers of paint show through to the final colours.  It seems Munch’s colours start with a background of gold and orange.  The artist appears to blend this with a raw umber or payne’s gray to create the darker tones in subsequent layers.

Why Should We Care?

Due to a childhood of illness and death in his family, Munch had a preoccupation with themes of anxiety, emotional suffering, and human vulnerability.  In his art he tried to explain life and its meaning not only to himself, but to others.   Edvard Munch tried to help others clarify their lives.  He was the first European artist to do this.

Where can I find other paintings like this?

Edvard Munch was influenced by Vincent Van Gogh and Paul Gauguin.  You can see this in Van Gogh’s “Girl in White” and Gauguin’s The Siesta

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • an hour or two

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured water colour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is okay for the watercolour crayon mark to bleed into the painting
  • everything is easily painted over with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • create a perfect skin tone by blending warm yellow, warm red, a dot of cool blue and lots of white, experiment first
  • layering colours on top of others using the scumbling technique creates magic
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.  It’s your painting after all!

If you would like to receive a welcome quarterly gem in your inbox then please subscribe to my blog.  Once every three months, I email the most popular post of drawings and quotes to my subscribers.  Strangely and coincidentally, the post connects to them and their life situation at that time.  

Subscribe to this blog at the bottom right of the home page.  

Copy Famous Paintings – Emil Nolde

emil-nolde

What is it?

A painting titled Windmill”, 1924 by German artist, Emil Nolde

How was this painting done?

Nolde has gone out on a limb with this painting.  Most artists shy away from using black as it is sometimes believed to be a dead colour.  Green can also be a difficult colour to mix and so easily appear garish by taking over the painting.

Here the artist has successfully used these two controversial colours.  The black is mixed with a very small amount of green to make a “living black”.  Nolde has mixed a tertiary green and toned it down by placing it directly beside its almost complementary colour, orange.  His placement of these two colours has created energy and vibrancy resulting in a painting that literally jumps off the canvas.

Nolde was a true artist who communicated immediately with his vision, his impulses and his influences. He gave this ordinary scene a disturbing presence.

Why should we care?

Nolde was one of the strongest and most independent of the German Expressionists and a member of the Dresden-based group known as Die Brücke. He was also a supporter of the Nazi party from the early 1920s, having become a member of its Danish section.

Adolf Hitler rejected all forms of modernism as “degenerate art“, and the Nazi regime officially condemned Nolde’s work.  Until that time, he had been held in great prestige in Germany.  A total of 1,052 of Nolde’s paintings were removed from museums, more than those of any other artist.  Some were included in the Degenerate Art exhibition of 1937, despite Nolde’s protests.

Nolde was not allowed to paint, even in private, after 1941.  As a matter of necessity, and in secret, he painted hundreds of watercolours in this time, which he hid.  Nolde called them the “Unpainted Pictures”.  The painter, although deprived of his livelihood as an artist, was loyal to the Nazi cause to the bitter end.  Nolde claimed his troubles were based on a “misunderstanding” and Hitler was simply misled by those around him in rejecting Nolde’s art.

Nolde was not only passionate about his painting, he was also loyal and forgiving, values we all aspire to today.

Where can I see other paintings like it?

Similarities can be seen inWindmill”, 1909 by Erich Heckel 

In this painting, fellow Die Brücke member, Heckel shows a similar use of colour although the brush strokes are much bolder and more like mark making.  Unlike Nolde, the artist has left areas of the canvas uncovered.   

And another expressionist work, “Spring Landscape at the Red House”, 1935 by Edvard Munch

In this landscape, Munch, like Nolde, has used intense colours, semi-abstraction and a mysterious, open-ended theme.

Meditate, relax and enjoy

Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself. There can be no mistakes in making this painting.  Everything ends up as it should be.  Here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size (recycled is okay as below)
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark water soluble crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured water soluble crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is a big plus if the watercolour crayon mark bleeds into the painting
  • everything is easily painted over or blended in with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the colour you put down

The Drawing Process

Turn your photo upside down and draw the space around the drawing with the crayon first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy onto good quality paper, paint the picture and frame it.

 

0701-2017-005

0802 2017 001.JPG

IMG_0122

The original image is copyrighted and was accessed on 03/02/2017 from   http://www.the-athenaeum.org/art/detail.php?ID=104236  It is used here for educational purposes only.

If you would like to receive a welcome quarterly gem in your inbox then please subscribe to my blog.  Once every three months, I email the most popular post of drawings and quotes to my subscribers.  Strangely and coincidentally, the post connects to them and their life situation at that time.  

Subscribe to this blog at the bottom right of the home page.  

 

 

Copy Famous Paintings – Franz Marc

franz-marc

What is it?

A painting, Horse in a Landscape”, 1910 by Franz Marc

How  was this painting done?

This painting was completed in oils on canvas.  ‘Horse In Landscape” is an early work where Marc (inspired by Wassily Kandinsky) experiments with colour.   Here we see a red horse with a blue mane and tail looking over a landscape defined by yellow, red, green and blue areas. The horse is standing with its back to the observer, so is seen from viewers’ eyes.

Marc took a Cubist approach in the display and creation of the animals he painted.   He approached the painting simply by focusing on the animal and raw emotion rather than drawing in from external factors like background. Rendering the subject realistically was not Marc’s concern.

Why should we care?

When Marc was 20 years old he began to study at the Academy of Fine Arts, Munich and eventually became a key figure in the German Expressionist movement.  Marc created art that increasingly, was stark and abstract in nature.  At age 34 and having been drafted into the army to fight in WWI, Marc enjoyed painting tarpaulins for military camouflage. Sadly, Marc was killed by a shell splinter in 1916.

As a young man whose life was lost needlessly in war, we honour Franz Marc and can only imagine what paintings he may have produced had he lived to old age.  The shadow of lives lost in war hovers over us still and we are indebted to artists like Marc. His paintings, particularly the brushstrokes, subject matter. abstraction and colour have left timeless memories for us to enjoy.

Where can I see other paintings like it?

In “Promenade”, 1913 and Tightrope Walker”, 1914 by August Macke we see a similar blend of Cubism, colour, distortion and form used to express emotions and feelings. 

Robert Delaunay, whose use of colour, design,  Futurist  and Cubist methods was also a major influence on Marc’s work.  This can be seen in The Rainbow”, 1913.  Delaunay makes a clear statement by using colour and form to describe his joy upon seeing a rainbow.  His primary concern is with expressing emotion, feelings and mood.

Meditate, relax and enjoy

Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself. There can be no mistakes in making this painting.  Everything ends up as it should be.  Here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size (recycled is okay as below)
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark water soluble crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured water soluble crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is a big plus if the watercolour crayon mark bleeds into the painting
  • everything is easily painted over or blended in with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the colour you put down

The Drawing Process

Turn your photo upside down and draw the space around the drawing with the crayon first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.

0801-2016-0140701-2016-001

 

Franz Marc

If you would like to receive a welcome quarterly gem in your inbox then please subscribe to my blog.  Once every three months, I email the most popular post of drawings and quotes to my subscribers.  Strangely and coincidentally, the post connects to them and their life situation at that time.  

Subscribe to this blog at the bottom right of the home page.  

 

 

Copy Famous Paintings – Gabrielle Münter

gabrielle-munter-yavlensky-and-verevkin-1908

What is it?

A painting,“Yavlensky and Verevkin”, 1908 by German artist, Gabrielle Münter

How  was this painting done?

This painting has color as the star of the show.  Münter uses a number of very unusual, carefully mixed, tertiary blues, greens, yellows, and pinks. The composition and forms are very flat and the colors are muted and suggestive. The figures are as abstract as the landscape with the brightly coloured hat of the lady sitting centrally within a triangle of background clouds. The impression is one of a summer’s day in the mountains.

Even though Münter’s palette was bright, great sadness is reflected in her paintings.  Münter studied with the Russian artist, Wassily Kandinsky and the relationship progressed from friendship to love affair. Kandinsky was married for fifteen years while he was in a relationship with Münter. Later and with WWI imminent,  Kandinsky fled to Russia and  married a recent acquaintance in Moscow.  These events affected Münter’s art.

Why should we care?

Münter had a life of mixed blessings.  Sadly, both her parents died before she turned 21.  To  Münter’s benefit, she was left with a substantial inheritance and was then able to devote her life to painting.  The artist was repeatedly refused enrollment in the German art academies because of her gender.

With persistence, passion and the financial security of her inheritance, Münter was eventually able to learn from the best teachers.  Münter proved she was able to paint as well as the men in the Der Blaue Reiter (The Blue Rider) group of which she was a member.

Münter is a great example to us all.  With persistence, passion and despite the ups and downs of life, she achieved what seemed impossible for a woman at the time.

Where can I see other paintings like it?

Münter’s paintings show the influence of Vincent van Gogh, Paul Gauguin and Henri Matisse.  Similarities can also be seen in “Blauer Berg”, 1910 and “Landscaftstudie – Dorfstrasse”, 1908 by Alexej von Jawlensky.  The strong influence of Russian artists and Der Blaue Reiter members, von Jawlensky and Kandinsky is evident in Münter paintings done in the early 1900s.

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size (recycled is okay as below)
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured watercolour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is a big plus if the watercolour crayon mark bleeds into the painting
  • everything is easily painted over or blended in with acrylics
  • paint in the background first
  • create a perfect skin tone by blending warm yellow, warm red, a dot of cool blue and lots of white, experiment first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.

1212-2016-0111212-2016-038

Original image from http://www.wassilykandinsky.net/gabrielemunter.php

If you would like to receive a welcome quarterly gem in your inbox then please subscribe to my blog.  Once every three months, I email the most popular post of drawings and quotes to my subscribers.  Strangely and coincidentally, the post connects to them and their life situation at that time.  

Subscribe to this blog at the bottom right of the home page.  

Copy Famous Paintings – Wassily Kandinsky

houses-in-munich-kandinsky

What is it?

A painting, “Houses in Munich“, 1908 by Russian artist, Wassily Kandinsky

How was this painting done?

Kandinsky blocked in the larger areas in bright colours and then touched up these areas with different tones of those same colours at the end.  The result is a patchwork of bright colours which both convey the emotions of the artist and make a picture.

The most striking effect in this painting is the orange sky which gives the feeling of a sunset throwing reflected light on the brightened buildings.   Kandinsky paints the foreground in warm colours to move the cool coloured buildings behind it.

Why Should We Care?

Kandinsky set out to convey universal human emotions and ideas by using blocks of vibrant colour.  His work became more and more abstract in order to transcend cultural and physical boundaries.

Kandinsky believed musicians could evoke images in listeners’ minds merely with sounds.  He also believed the reverse, that artists could evoke sounds and emotions in the viewers’ minds with images and colour. This was new and controversial thinking at the time and resulted in some scratching their head in bewilderment.

Where can I find more paintings like it?

Similarities can be seen in Mont St Victoire, 1895 by Paul Cezanne.

Cezanne has divided the scene into blocks of colour although not quite as bright as the Kandinsky  painting above. Houses in Munich”  which was done 13 years later and is much more adventurous with colour.

American artist Hans Hoffman seems to have drawn heavily from Kandinsky’s early work and this can be seen in “Equipoise”, 1958.  Large blocks of colour push and pull the warm colours forward while the cooler colours recede giving depth to the painting.  The result is a confusion of shapes moving in space.

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured watercolour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is okay for the watercolour crayon mark to bleed into the painting
  • everything is easily painted over with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.  It’s your painting after all!

2511-2016-0052311-2016-018

I also posted on how to paint watercolours to music after Wassily Kandinsky some years ago.

Image of original from http://www.wassilykandinsky.net/work-85.php, accessed 13/11/2016

Copy Famous Paintings – Egon Schiele

egon-schiele-ceramics

What is it?

Painting Ceramics“, 1918 by Austrian artist, Egon Schiele.

How was this painting done?

Schiele did this painting on paper with watercolours.  He used a black crayon to draw the outline of the objects.  This is a simple painting done in a loose and organic style.   Schiele restricted his colours and kept the painting uncluttered with a plain background which was typical of his style.  The result is an entirely pleasing composition of “less being more.”

Why Should We Care?

Schiele is a great example of an artist who followed his passion and was not molded by beliefs of what art should be as thought by others.

Schiele, Gustav Klimt and others chose to break away from the Academie of Fine Arts and the Kunstlerhaus  in 1897 and form the Vienna Secessionists.

This enabled Schiele the freedom to create  the raw, direct,  erotic and deeply psychological paintings he preferred. His striking sinuous lines, use of colour and method of leaving a drawing or painting unfinished had not been seen before.  We are therefore, the beneficiaries of Schiele’s rebelliousness.

Where can I find more paintings like it?

The patterning on the vases in Schiele’s “Ceramics”, although done much later, reflects the influence of Japanese art after the influx of Japanese goods and  prints flooded Europe from 1853.

Vincent van Gogh’s Still Life With Roses and Anemones.”, 1890 and “Vase with Daisies and Poppies”, 1890 also reflect the influence  of Japonisme.

Meditate, relax and enjoy

There can be no mistakes in making this painting.  Everything ends up as it should be.  Take the luxury of “time out” to recreate this fabulous painting in acrylics yourself, here’s how:

You will need

  • a small canvas, 30cm x 40cm is a good size
  • tubes of primary acrylic colours, blue, red and yellow plus white
  • a dark watercolour crayon
  • soft nylon paint brushes, (small, medium and a little larger)
  • water in an old container
  • a rag or disposable cloth
  • two or three hours

Tips on the Process

  • prime the canvas first, otherwise, just a wash and dry with a towel
  • print the photo you want to work from, measure and cut into quarters to make your drawing in a grid
  • turn the original photo upside down to make the drawing
  • use a dark coloured watercolour crayon for your drawing
  • correct drawing right-side up from the original
  • erase crayon easily with a damp cloth
  • it is okay for the watercolour crayon mark to bleed into the painting
  • everything is easily painted over with acrylics
  • paint in the background first
  • The painting will not look great at the initial blocking in stage, stay with it for a pleasant surprise
  • try not to use paint directly from the tube; experiment with how to mix colours
  • acrylics dry darker than the mixed colour

The Drawing Process

Turn your photo upside down and draw the space around the drawing first.  This is just a framework to place the figure on the page and you can easily correct right-side up with the dampened cloth as I have done below.

Otherwise, you may use my drawing below.  I suggest you ask your copy shop to print the PDF below onto a canvas and proceed to make your own unique painting.  Otherwise, you can print the copy on to good quality paper, paint the picture and frame it.  It’s your painting after all!

You can also check out how to create a naive landscape after Schiele using watercolours which I posted some time ago.  Related posts after Klimt, cropped versions of “The Kiss” and Mother and Childalso appear in this category.

Image accessed 13/11/2016