“We may think of gesture as the character of the action. Look at two vases – one tall and graceful, the other fat and squat. They are as different in character as two people might be.
Gesture, as you will come to understand it, will apply to everything you draw. Even a pancake has gesture. There is gesture in the way in which a newspaper lies on the table or in the way a curtain hangs.
The key to the nature of a subject is its gesture and from it all other aspects of drawing proceed.
It is far more important that your studies contain this comprehension of movement, of gesture, than that they contain any other single thing.” Kumon Nicolaides